I used to dream of being a published novelist. And, if I’m being honest, I still sometimes do.
As some of you may know, I have, in the past, tried to get my fiction published. I think I’ve tried with three, four, maybe five different novels at different points in my life (only really seriously tried with one of them, though). I’ve also submitted a little bit of short fiction to a couple of places, but the only place that ever accepted me was my university’s literary journal, because they had to, and they were short on submissions. Lol.
Maybe this is just because my fiction is not that great. I think that’s honestly pretty likely. My junk is tons of fun for me, but maybe it’s not for anyone else. Or, maybe I just never tried hard enough. I have pretty thin skin, and am all but allergic to self-promotion (see: AvPD), so, every step of the whole querying and submission process is, for me, basically like going before a firing squad, or like having the flu and being in labor at the same time, or going before a firing squad while you have the flu and are in labor. Which is to say: I hate it! I know everyone hates it, but I’m not being egotistical when I say I think I probably hate it even more than the average person.
But there’s no getting around that process. (Unless you’re already a celebrity.) So, I’ve pretty much given up on that childhood dream. Which is fine. Totally. I once saw a viral Tweet on Writer Twitter that went something like: “watching the book of my heart die in the trenches will be my villain origin story” – and damn, if that ain’t the truth. But it’s fine. I’m fine! Lol.
It’s hard out there! If you’re currently in the thick of it (“in the [querying] trenches,” as they say), God help you. During my brief forays into submitting fiction to agents, I learned that the publishing industry in 21st century America is freaking brutal. It’s merciless. Trying to get published sucks. I definitely got a bit bitter about it, after so many ghostings and form rejections.
But, to be fair: the stuff that I love to write is not highly publishable. Maybe one day I’ll write something normal and marketable enough to be published. But, I dunno. I have some pretty unpopular opinions about fiction and prose in general, which probably make my junk nobody’s cup of tea but my own. I took a lot of writing classes in college, back in the day, and between those classroom experiences, mingling with other aspiring writers, and my attempts at getting published, I’ve encountered a lot of ideas out there that are, imo, just straight up stupid, and thereby affirmed my own sometimes-unconventional beliefs about writing:
11. Genre, and comp titles, are overrated. “What’s your genre,” everyone wants to know. And if you don’t fit tidily into one single genre, or can’t say for sure what genre you are, it’s just because you don’t read enough and don’t know the field well enough. You have to be able to compare your junk to someone else’s (someone who’s selling well right now, of course – but not too well, I mean, come on, clearly you can’t compare yourself to a bestseller, you arrogant prick, who do you think you are?). Your book should be basically be able to be described as “what if this popular book and this other popular book had a baby.” Personally, I hate genre fiction, hate the labels associated with it, and hate the constraints of genre and comp titles. But I get that they’re necessary in the industry.
10. Plot is overrated. I mean, my favorite book ever is “Infinite Jest,” which is famous for having the most unintelligible plot of all time, so clearly plot is not that big a deal for me. I love it when an author can get you sucked into a moment or a character regardless of the conventional “plot arc” or the “stakes” of the problem. I tend to also love introspective books that sit still and contemplate, like Katharine Weber’s “Still Life with Monkey.”
9. “High-concept,” plot-driven stuff is overrated. I get that that’s what sells, but it’s disappointing. To me, this obsession with things that grab you fast and just don’t let go!!! is just a symptom of a culture that’s obsessed with Netflix and TikTok. If you want to watch TV, go watch TV, but if you’re going to read a novel, be willing to have some patience, use your brain, and commit to something, am I right?
8. That being said: mystery/suspense is the hardest thing to write, and authors who do it successfully deserve the utmost respect. I know I said I resent genre and genre fiction, and that plot is overrated, and those are all true; but I do like a good mystery novel, and this is one genre that I know for a fact I could never even attempt to write. I mean, how do they do it? How do they create a whole multi-layered mystery that you can’t figure out? Just, out of their brain??! It’s fascinating to me! One of my absolute favorite writers of the last few years is Shari Lapena, who writes domestic crime thrillers. Also, Stephen King is a genius at this. The ability to create such a plot and make it suspenseful is seriously like a magic power. Not every book has to have it! But when a writer does it well, it’s sorcery.
7.Sex scenes are gross. Even if it’s not smut. I can’t stand sex scenes, even in literature. I put down “Hamnet” by Maggie O’Farrell because of a sex scene. I put down “The Fraud” by Zadie Smith because of sexual stuff. Seriously. Just. Leave. It. Out! I’ve said it before and I’ll say it again: be an adult; fade to black. It’s easy to do. Unless there’s some crucial detail that you cannot reveal otherwise, in which case, you can be subtle.
6. Telling, not showing, is fine. Speaking as an amateur here: the whole “show don’t tell” thing is for amateurs. If you have backstory to tell, then tell it, don’t waste the reader’s time going back in time to show it all happening! And sometimes it works to just tell your actual story! There’s a time and place for telling, don’t let anyone tell you there’s not.
5. The passive voice is great. Again, as an amateur: the advice to “never use passive” is for amateurs. There is absolutely a time and place for passive voice (just ask the Germans, they love their passive voice!). “This was given to me” has a whole different emphasis and tone than “Someone gave me this.” “The pie has been eaten” is more compelling, and has more gravitas, than “they ate the pie.” “Saint Lawrence was martyred by grilling” keeps the focus on Saint Lawrence, and is more interesting and pleasant and logical to read than just “They grilled Saint Lawrence.”
4. Adverbs are great. I once knew an aspiring writer who eschewed all adverbs as a rule. How silly! Adverbs exist for a reason. Yes, you could say “sprinted” instead of “ran quickly,” or “dragged” instead of “passed slowly,” or “devoured” instead of “ate voraciously” or “lethargic” instead of “cripplingly tired”… but sometimes an adverb makes a sentence more beautiful, or rhythmic, or adds a whole new element of metaphor to a phrase. Again with the whole TikTok mindset of “shorter = better.”
3. Descriptions are great. I love in Victorian literature when they would take paragraphs, or even pages, to describe a character’s physical appearance when introducing that character. Give me all the details about what they are wearing and what shape their nose is! I’m here for it! I also love descriptions of rooms and places. But then I got to college and took 300 level writing courses, and learned that descriptions of characters’ appearances are considered juvenile and cheesy, in serious circles nowadays. What a bummer. Bring back Victorian prose!
2. Long sentences are great. You probably know I feel this way if you read my blog. I love to try and pack as much stuff into one sentence as I can, using parentheses, dashes, semicolons, colons, and, of course, commas on commas on commas. Again, I’m a huge fan of DFW, whose sentences sometimes go on for pages. A long and well-composed sentence is a work of art!
And finally:
1. Word count constraints are dumb. If you want to get published, and you’re writing literary or mainstream fiction for adults, you’d better make sure your manuscript is precisely 80-90k words, no more, no less. (The number is bigger, but equally constraining, for certain genres like high fantasy.) And short fiction has a specific word count expectation, too. As someone who vibes with novellas, novelettes, really long short stories, and all the in-betweens, this has always frustrated me. I’d like to see the novella become popular again!