What’s a song that changed your life?
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In spring of 2024, in the middle of the day as I was going about my life with my three little kids, I received an out-of-the-blue Facebook message from an old friend from college.
At the time, I hadn’t spoken to “J” at all in a couple of years, and even then, it had been just a few scattered, stilted messages; we hadn’t actually hung out or really spoken since 2013, when we were college students in the same Catholic campus ministry group.
Back then, we were attending different schools (he, liberal arts, me, fine arts), and he was a couple years older than me, but somehow, almost immediately, we clicked. Neither of us were the type of college kids interested in idle mingling or meaningless fun — we both were the type of serious, anxious, melancholic introverts who needed to discuss deep, heavy, intense topics, and we were also both writers and converts to Catholicism. Some friends, when you meet them, it’s like you can feel your souls recognize each other within a few minutes of talking. And you know you’ve found something special. It’s a rare thing. Long after we fell out of touch, after college, I thought about him daily. Letting that connection lapse was one of my most painful regrets.
So you can imagine how happy I was to receive that message from him that random spring day.
In the following exchange of messages, he revealed to me in conversation that he was in the process of converting from Catholicism to Russian Orthodoxy. I was floored, to say the least; he was one of the most devout Catholics I’d ever known, and one of the most knowledgeable. How could he be converting away? And why?
J was happy to indulge my curiosity. He was a gifted teacher, and had a way of speaking that sounded like the most elegant prose — probably because he was such a voracious reader, and read so many books, so many old, difficult, hefty, important books. I learned a lot about Orthodoxy from him, in those weeks and months. He taught me about the theology, ecclesiology, history, and iconography of the Orthodox Church, as well as some of his favorite saints (St. Paisios, St. John Maximovich, St. Metushka Olga, St. Seraphim of Sarov…) and, of course, introduced me to some Orthodox chant.
Even though I wasn’t interested in converting to Orthodoxy myself, I did enjoy learning about all of this, especially the music. And J loved that I was interested, loved having an opportunity to talk about this stuff — as a convert without an Orthodox community anywhere near him (three hours from the closest church!), he felt pretty socially isolated, even more than he had as a Catholic, living in a small town in the Deep South. He eagerly shared with me a list of selections from his chant playlist on YouTube, along with his own little description of each chant and what it was about.
One of these was the Evlogitaria of the Dead.
This one, he told me, had a special place in his heart. A friend of his had died not too long ago, and he was deeply worried about her soul, and told me that he’d prayed this for her immediately after learning the news of her death — one of the first chanted prayers that he’d ever attempted. I pressed play and listened to the Evlogitaria. It was interesting, but, it wasn’t my favorite. It felt a little strange, I thought — and kind of creepy, actually. I preferred the beautiful Agni Parthene, which is a prayer to the Theotokos, and the chill-inducing Pobedna pesma (Song of Victory). Gregorian chant is awesome, too, of course, but there’s something about Eastern chant that really cuts into you.
It was an interesting foray — for both of us. Later that year, J had a change of heart, and ended up returning to Holy Mother Church. He went to Confession and resumed his life as a Catholic, while still maintaining a love for Eastern spirituality and practices.
To say I was happy about this is an understatement. All felt right with the world. I had my Catholic best friend back. The one who’d first helped me learn about God and His Church was now a practicing member of it again! A void in my heart, empty since 2013, had been filled and was flowering. When I found out I was expecting my fourth baby, I asked J to be Godfather, and he accepted with great solemnity and honor. I’m not someone who has a lot of friends or makes friends easily, and as a convert from a non-Catholic family, Catholic friends are even rarer. I treasured my rekindled friendship with J, always excited to see a notification from him, always looking forward to his every message. I was always eager to share things with him as soon as I heard about them. Any Catholic news or experience or question, any cool TV show or interesting story, any philosophical dilemma, I needed to process it with him. He made me feel connected to the world, in that way.
About a year after his return to Catholicism, he got very sick. He told me he wasn’t feeling well, and a couple days later messaged me that he was in the hospital with pneumonia. I wished him a smooth recovery and shared my hopes that he’d be feeling all better by Christmas, which was two weeks away. Just days later, I found out that he had died.
.
How to even process that?
I’m not an emotional reacter. I froze up. I didn’t know what to do. I think I just kind of stood and stared into space for a while.
At some point, though, I remembered something. A memory materialized in my mind. The Evlogitaria of the Dead. The one that meant so much to J, that he would use to pray for the dead, even after he was Catholic again. I dug up the link and pressed play.
And there he was. I heard him. It sounded of him.
And that was when I think I began to process.
For some time, in those early days, this was the only music I could listen to.
I still play it all the time now, at least weekly, or hum it to myself sometimes, anytime — always for him. Losing a best friend sucks. It’s been ten months, and I still have that same need to process every experience, every problem, every bit of news I hear, with him. How can he miss this? How can this be happening without him? — It really is like a piece of myself, of my reality, has just been cut away. Things are simply less real, now. Everything is just less.
He’s a little closer, though, whenever I play this song.
(To know more about J, as I wish everyone could, you can see the longer post I wrote for him after his death, here.)