CAUTION: SPOILERS for the movie Calvary (2014).
TW: the movie I’m discussing in this post deals with some extremely uncomfortable topics, such as clerical sex abuse, other terrible things happening to children and animals, suicide/self-harm, marital infidelity, & etc.
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Calvary (2014): while watching it, and for about a day afterwards, I firmly believed that it was the worst, most miserable, most pointless movie that I’d ever seen. I was, in fact, royally pissed that I’d given it an hour and forty-two minutes of my life, an hour and forty-two minutes that I’d never get back.
But upon reflection, I think it’s actually a really good movie.
Not an enjoyable one – I absolutely do not care to watch it again, and I can’t say I “recommend” it – but, a good and important one.
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To be fair, the movie made it clear from the very first line what kind of movie it was going to be. It literally opens with a scene of a dude walking into the confessional and just immediately telling the priest: “I first tasted semen when I was seven years old.” – … oh. okay. This is gonna be that kind of movie. They make it abundantly clear right from the get-go. If you’re not mentally prepared to watch that kind of movie, which I was not, then this is where you realize what the movie’s about, and turn it off. I could have just turned it off.
Why didn’t I? Not for any noble reason. I kept watching because my husband had paid money, actual money, for us to watch it. We virtually never shell out for those rent-to-own movies, because why should we have to pay additional money when we’re already paying for the damn streaming service? But this time, my sweet husband was really eager to try and find a movie that I would love, because it’d been a while since we’d found a show or movie that really did it for me. He’d scoured the internet, grilled ChatGPT relentlessly, researching titles, narrowing down options, and finally found this one, Calvary, from 2014. It looked like something worth paying for.
Based on the descriptions, it ticked a ton of boxes for “things Mith loves in a movie”: slow-paced, character-driven, thought-provoking, human drama, beautiful Irish scenery, Catholic themes. It sounded so promising!
But then… it was just misery upon misery. Just senseless torture from start to finish. As if the creators challenged themselves: “how can we completely ruin the audience’s day?” “How can we take a normal, healthy viewer and turn her into a clinically depressed and anxious one?” “How can we paint as grim a portrait of human nature as humanly possible in an hour and forty-two minutes??”
Like there was one scene where the protagonist, the priest, was just sitting in a pub minding his own business, and some dude comes up to him and is like “hey, I heard this horrible thing one time…” and proceeds to relate the most disturbing anecdote I personally have ever heard; I won’t go into details here, because you don’t need that in your life today, but suffice it to say that it had to do with a three-year-old boy suffering intensely. (As the mother of a three-year-old boy, I lost a lot of sleep that night, and had to do some research into whether such a horrible thing were even medically possible; technically, it is, albeit extremely unlikely.) To which our protagonist, understandably enraged, just kind of pauses and stares, and then replies: “WHY WOULD YOU TELL ME THAT?!” and the dude just kinda grins and shrugs.
That is exactly how I felt watching this whole movie! The protagonist, in this moment, is me, the viewer. I was pissed! Because why?? “Why would you show me that?!”
It didn’t sink in until later that there actually is a reason why the filmmakers decided to inflict such suffering. An important reason. And it goes back, once again, to the very first line of the movie.
This is a movie about sexual abuse of children. – Think about it: why even watch a movie about such an unspeakably horrible thing? Isn’t a movie supposed to be entertaining?
I remember one time back in college, in one of my writing classes – journalism, maybe – a professor assigning us an article to read and analyze, about some horrible thing that had happened to someone: a house fire or something tragic, just a real downer, I can’t remember exactly. And after we read it, the professor asked us: “now, why did we even read this? Why read, or write about, something so horrible? Any ideas?”
No one raised their hand right away, so I slowly, shakily raised mine. (I loathe speaking in public, but absolutely love the thrill of answering a question correctly, so, it always put me in this weird tense emotional state, when I knew the answer to a teacher’s question.) “As an act of service to the victims,” I said, or something like that. “The same reason we read holocaust literature. To share in their suffering. It honors what those people went through.”
Professor was, I remember, very pleased with that answer. (I, as a 36-year-old mom, am still chasing the high of being praised by English teachers and writing professors.) We read/watch stories about victims of horrific suffering as an act of service to those victims – to share in their suffering. Because what else can we meaningfully do for them?
And so, what would a movie about sexual abuse of children even be, if it didn’t inflict senseless suffering upon the viewer? It would be an insult to the real-life victims.
To try and put a cheesy, happy “but everything’s really okay and all people are really well-intentioned on the inside and everyone’s a victim after all so let’s try and have compassion”-type of spin on this story, would be a huge injustice to those whose lives were destroyed.
And yeah, the movie did offer one tiny little slightly-redemptive thread, with the widowed woman on the airplane at the end, and the implied forgiveness in the very last scene where the daughter goes to visit her father’s murderer in prison. But still, it can hardly be said to be “uplifting” or “hopeful.” And that’s correct; it shouldn’t be.
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The depictions of Catholicism bothered me, too. All the priests and even the bishop were made to look like disingenuous flakes who didn’t really believe in any of the actual teachings of the Catholic Church; there was no actual faith. What we saw was a picture of a Church that’s entirely lost sight of its purpose. It appears hopeless. The burning of the church at the end is actually a very apt metaphor.
Which upset me, of course. That is not the Church that I attend on Sundays! My parish priests are not like that. That is not the faith that I’m familiar with! – But, if we look at this through the lens of the suffering of the victims of clerical sex abuse, then yeah, of course this is accurate; this is the picture of the Church that we, as Catholics, have shown them, and by our actions and indifference have convinced them is true.
Which brings me to one of the most interesting moments, that upset me the most and in retrospect is one of the most powerful: before the guy shoots the priest, he denies killing the dog (apparently it was the bartender that did that, I missed the clues), and then he asks the priest “were you sad, when your dog was killed? Did you cry?” Yes, of course he did. “What about when you read in the newspapers about what your fellow priests had done to those kids? Did you cry then?”
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No.
And then he kills him.
It’s just human nature though, isn’t it? The death of one is a tragedy, especially if it’s one of our own; the death (or suffering) of many, especially those we don’t personally know, just becomes a statistic, in our mind. Even if we are genuinely compassionate people and deeply disturbed or even horrified by the news, most of us aren’t likely to weep over it the way we would over the loss of a dear friend. That’s just normal. So our priest did not deserve to die.
But that’s the whole point, isn’t it. Christ didn’t deserve to die. A priest’s job is to live as Christ in the world. Christ willingly took on the punishment for our sins, and voluntarily went to his death, accepting that punishment.
Which is exactly what our protagonist does. He may not be an exemplary Catholic priest or represent the whole faith well, but he does certainly model Christ in this way. He was told that he was going to be killed for the sins of his brethren, and instead of resisting, he accepted. He saw all the sins and ugliness of mankind (that’s the whole plot of the movie: him seeing how ugly mankind is), and chose to die anyway. Christ died for us in spite of our ugliness, but in the case of our protagonist, I think seeing the depth of that ugliness actually made him all the more willing to die; like, it was so far gone, what else could he do?
“A spotless victim” – the dude in the beginning even says, “no point killing a bad priest, I need to kill a good one.” The unblemished lamb must be sacrificed.
An interesting premise, right? And there are all these other parallels to the Passion story: the characters Simon and Veronica, for one, and you could even argue that his daughter, whom he meets up with during the course of this week leading up to his death, is sort of a Mary figure. I didn’t notice all of these until after watching the movie, when I was lying there in bed pissed off and trying not to think about it but unable to think of anything else.
So, I think it accomplished what it set out to do. I think it’s actually a really good movie. Enjoyable? Hell no. Important and well done? Absolutely. Do I recommend it? Again, hell no.
But, also, maybe kind of yes, if you’re mentally prepared and think you can stomach it.
— Although, the children who were abused, did they get to be “mentally prepared”? Did they get to be “ready”? They didn’t get a “TW”, did they? – so, yeah, you know what, on that note, maybe I do recommend it. Maybe we should all watch it and suffer; it’s the least we can do, as fellow humans, isn’t it?
